The vampire is a creature of the night; not the night that comes with the setting of the sun. Night refers to a time of ignorance, a time of innocence, when people and nations are unable to see intellectually or spiritually and are prone to stumble and fall spiritually. This is the time when the vampire comes to attack his unsuspecting victim. This was the time when the white supremacist came upon the non-white peoples of the world; a time when the sun of Black civilization was slowly waning. The sun represents Truth or awareness - the one force the evil and falsehood of the vampire cannot withstand.

Vlad Dracula (circa 1420-1476), the Walachian (in Romania) terror of the Turks. Known as Vlad the Impaler, he used brutal terror tactics against the Turks, impaling tens of thousands of them upon stakes, thereby earning his nickname. His name has also been used in western literature as a vampire - although this is completely unrelated to his real activities. Vlad was eventually killed by the Turks, and his head delivered to the Sultan of Turkey on a platter, as proof that their great White enemy was actually dead.

The vampire is said to be an apparition or ghost who has not surrendered its mortal body even after death has befallen it. This translates directly to his lust for immortality.

First, like the vampire, white people have serious difficulties dealing with the literal and figurative sun. Coming from the cold northern climate of Europe, whites are not comfortable in hot, tropical areas. White people literally cannot tolerate too much sunlight because of the threat of contracting skin cancer. Most white people figuratively cannot tolerate the sun of Truth which is symbolized by sunlight. Usually they are phony, ingenuine and clothed in pretense. They cannot accept the reality that white people evolved from non-white people, or that all of their prophets are, and all of their religions were, begun by Black people. Secondly, subconsciously, white people realize that they cannot exist without sucking the moral, cultural, religious and economic blood of Black people, like Dracula. White Man's Heaven is a Black Man's Hell. They are only able to deceive and exploit under the cloak of ignorance, and during spiritual sleep of non-white people. They are only able to oppress, manipulate and exterminate Black people when the sun of Black awareness has declined.

The third characteristic is one of contagion. Whosoever Dracula bites eventually becomes a vampire, one of the Un-Dead. For all that die from the preying of the Un-Dead become themselves Un-Dead, and they prey on their kind. Historically, whatever people that have been biten by the White man's fangs have begun to prey upon themselves or their people. This is why Viet Namese fought Viet Namese; why Koreans fought Koreans; why Mangosuthu Buthelezi of Inkatha fought Nelson Mandela of the African National Congress. One of them had been biten by Dracula and the virus of white supremacy had entered into their blood, causing them to seek Western style dress, demoncracy, and western cultural values. Supreme Court Judge Clarence Thomas, Colin Powell, Ward Connelly, Dr. Condoleezza Rice and many others have all been biten. Research and associate The Boule with white supremacy.

In the United States, Blacks, Chicanos, and Puerto Ricans have been biten and have joined the ranks of the Un-Dead. They have turned upon themselves. They fight one another, they kill one another, and like Dracula, they suck their brother's blood. They no longer can tolerate the light of Truth, they resist knowledge and education. Morality, which the cross represents, has become repulsive to them. The cross, which repels the vampire in Bram Stoker's novel, in reality has no such power. For it is behind this ancient symbol that the vampire of white supremacy takes refuge and breeds.

Unlike Count Dracula of Stoker's classic, the vampires of white supremacy harbor no fear of the Christian cross. In fact, it is this very symbol of the Christian Church that the white supremacist used to conquer the entire Black world. Like Dracula, the Klu Klux Klan was known to make its violent raids upon its Black victims at night. And like Dracula, its objective was blood. What Stoker's monster was to Van Helsing and the other hapless characters in the novel, so is the United States, Israel, Belgium, Italy, England and the other monsters of white supremacy to the Indians, the Latin Americans, the Africans, Asians and all peoples of color. Blood represents life, emotion, love and compassion in its deep, red, fiery color- characteristics of which the white collective has historically been void. Thus, whites seek the symbolic and literal blood to sustain their spiritual and material lives. In closing, blood also represents money. The taxation of one's labor might also be compared to vampirism. To allow a regime or government to demand a portion or one's labor, one's sweat and blood, is no more than slavery.


NAZI aligned Hollywood producers have become drunk with over-confidence with the realisation that VICTORY FOR THEIR KIND IS WELL WITHIN THEIR GRASP. To this extent, several luciferian films are being broadcast on the airwaves, subliminally displaying the true nature of the beast. Take heed to this as it is a clear symptom that the outcome of The Silent War IS NO LONGER IN OUR FAVOR and is NO LONGER SILENT!.